Chuck Floramo
Creative Editorial / Special Effects
Compositor
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Phone 630-863-2551 Fax 708-897-0849 E-mail chuck@keeperbin.com |
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Professional Experience |
2002 Present Freelance Editor Harpo Studios,
Avid Editor §
Senior creative cut editor for The Oprah
Winfrey Show. §
Member
Advisory Editor Group §
Avid
creative cut and finish using HD/SD Composer Adrenaline and Symphony Nitrus with Media Manager workflow.
NBC News,
Avid Editor §
Editor for The Today Show & Nightly News.
Towers Productions,
Avid Editor § Editor for The History Channel documentary programming.
1993 2002 Post
Effects, Director of Post Production § Manage and technical planning for all post production crew and facilities. § Senior creative cut and compositing editor using component digital and composite digital linear and non-linear systems integrating Adobe suite graphics with online compositing § Facility remodeling planning and technical direction § Many broadcast, commercial and corporate clients including Intel, Motorola, Ford, The Oprah Winfrey Show and Bill Kurtis Productions. § Online systems include HD & SD finishing with Axial 2020 controllers; Abekas and Sony switchers, DDRs and DVEs and CGs; Mac graphics using Adobe Photoshop, Illustrator and After Effects; motion control cameras; and Zaxcom digital audio mixers. 1991 1993 Post
Pro Film & Video, Senior Compositor / Editor § Conform Avid offline creative cuts for high-end agency clients, including Leo Burnett, J. Walter Thompson, DDB Needham, and many others. § Avid and linear creative cut editor for many corporate and commercial projects. 1986 1991 Telemation Productions, Senior Compositor / Editor § Managed editorial group consisting of 3 online teams § Edited, designed and directed many corporate and commercial projects §
Systems included one the first D2 digital
rooms in 1984 1986 The
Editing Company, Senior Compositor / Editor § Creative cut and compositing in GVG based 1 and BetaSP linear room. § 16 track audio sound design with video slave in online room § Project design and planning integrating 3D and 2D graphics for commercial and corporate special effects 1982 1984 Telemation Productions, Senior Editor § Creative cut and compositing in CMX based 1 linear room. 1979 1982 Polycom Productions, Editor / Cameraman § Creative cut in Mach One based 1 and Ύ linear rooms. § Cameraman for EFP unit doing commercials and broadcast segments for Thats Incredible and ESPN Sports Center. |
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Objective |
My objective is to be the best creative editorial resource any client could ever want on their project. I want to solve creative challenges and add impact to every project that I touch. |
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Education |
1975-1980 St. Xavier University, Chicago, IL |
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Awards |
2 National Daytime Emmy Awards for Multicamera Editing Nominated for National Daytime Emmy Awards 2003-2008 Recipient of Telly Awards The The International Monitor Awards Finalist for Best Editor |
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Hobbies |
Drums, guitar, computer geek stuff. Also having fun with ProTools LE. I own my own Composer and 16 channel ProTools Digi 003 system. |
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References available upon request.